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New World Coming

The 1920s and the Making of Modern America

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A vibrant, fast-paced exploration of the pivotal and dynamic 1920s era, focusing on many of the colorful characters of the time and on three presidents: Harding, Coolidge, and Hoover.
The images of the 1920s have been indelibly imprinted on the American imagination: jazz, bootleggers, flappers, talkies, the Model T Ford, Babe Ruth, Charles Lindbergh's history-making flight over the Atlantic. But it was also the era of the hard-won vote for women, racial injustice, censorship, widespread social conflict, and the birth of organized crime. Chronicling what he views as the most consequential decade of the past century, Nathan Miller—an award-winning journalist and five-time Pulitzer nominee—paints a vivid portrait of the 1920s, focusing on the men and women who shaped that extraordinary time, including, ironically, three of America's most conservative presidents: Harding, Coolidge, and Hoover.

In the twenties, the American people soared higher and fell lower than they ever had before. As unprecedented economic prosperity and sweeping social change dazzled the public, the sensibilities and restrictions of the nineteenth century vanished, and many of the institutions, ideas, and preoccupations of our own age emerged. With scandal, sex, and crime the lifeblood of the tabloids, the contemporary culture of celebrity and sensationalism took root and journalism became popular entertainment. By discarding Victorian idealism and embracing twentieth-century skepticism, America became, for the first time, thoroughly modernized. There is hardly a dimension of our present world, from government to popular culture, that doesn't trace its roots to the 1920s, and few decades are more intriguing or significant today.

The first comprehensive view of the era since Only Yesterday, Frederick Lewis Allen's 1931 classic, New World Coming reveals this remarkable age from the vantage point of nearly a century later. It's all here—the images and the icons, the celebrities and the legends—in a book that will resonate with history readers, 1920s aficionados, and Americans everywhere.
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    • Publisher's Weekly

      June 30, 2003
      Miller (Theodore Roosevelt: A Life; FDR: An Intimate History; etc.) quite eloquently illuminates the United States as it existed under presidents Harding, Coolidge and Hoover, using the life of F. Scott Fitzgerald, with all its peaks and valleys during the 1920s, as the backbone of his narrative. But Miller's book is much more complex than a mere discussion of Fitzgerald or such related phenomena as the Lost Generation and the Jazz Age. In addition to events in the arts and sciences, Miller details bitter labor struggles, the rise of the reconstituted Ku Klux Klan and Prohibition. Woven into this text are vivid portrayals of such personalities as H.L. Mencken (who coined the famous phrase, "No one ever went broke underestimating the intelligence of the American people") and the young, relatively unknown Franklin Roosevelt, dealing with the onset of polio. Miller's provocative prose dovetails such notables as Al Capone, evangelist Billy Sunday, birth-control advocate Margaret Sanger and aviator Charles Lindbergh. In addition to personalities, Miller is also keen to depict key trends and events, and, where appropriate, he notes them as distant mirrors of our own age. This is particularly Miller's ambition when it comes to the rampant stock market speculation of the 1920s and such corporate scandals as the Teapot Dome affair. In sum, this volume comprises an excellent chronicle of that turbulent, troubled and tempestuous decade called "the roaring '20s." Photos not seen by PW.

    • Library Journal

      August 1, 2003
      Miller, an accomplished journalist and historian (Theodore Roosevelt: A Life; FDR: An Intimate History), turns his attention to one of the pivotal decades of U.S. history, the 1920s. Like Frederick Lewis Allen's classic Only Yesterday, this too is an engagingly readable narrative history. But unlike Allen's well-regarded account, Miller's work benefits from 70 years of scholarship on the subject. Miller is thus able to provide a perspective on race relations and labor that Allen did not. He is also able to dispel some myths of the period, such as those surrounding the nomination of Warren G. Harding at the 1920 Republican convention. Between the lines, Miller sees the turn toward conservative politics, denial of festering social and economic issues, and moral excess as parallels to our own time. Based on solid scholarship, Miller's book is an eminently readable history and an excellent addition for public and undergraduate collections. In contrast, David J. Goldberg's Discontented America: The United States in the 1920s is more academic and more focused on issues of race and ethnicity. Highly recommended.-Daniel Liestman, Florida Gulf Coast Univ. Lib. Svcs., Fort Meyers

      Copyright 2003 Library Journal, LLC Used with permission.

    • Booklist

      August 1, 2003
      Miller characterizes the 1920s as a decade full of drinking, dancing, hedonism, and crime. Miller first concentrates on the writer who captured the decade's insouciance and ennui in " The Great Gatsby," periodically revisiting F. Scott Fitzgerald's self-destructive slide, then returning to recount the period's social and economic trends. Blacks moved north, women began voting, factories hummed, farms stagnated, stocks inflated, and speakeasies proliferated. Presiding over the turbulence, the five presidents of the period (Wilson through FDR) receive Miller's closest narrative attention, their reputations illustrated with telling anecdotes, such as Harding's signing a bill on a golf course. Considering this work's density of data and personalities from Klansmen to jazzmen to evangelists, Miller's structuring is notably skillful. A suave, entertaining survey.(Reprinted with permission of Booklist, copyright 2003, American Library Association.)

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